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Cinema's Most Terrifying Sex Scenes! Alfred Hitchcock once delivered a disturbing bit of directorial advice: “Film your love scenes like murders, and your murders like love scenes.” Or something like that… the details are a bit vague. Whether Hitch made that exact declaration or not, the concept is still disturbing – and says a lot about artists, storytellers and audiences’ relationship to sex in general. As open- minded and progressive as we often pretend to be as a culture, I suspect that, deep down, Americans are still pretty scared of sex – and even of ourselves as sexual beings.

Of course, wherever fear lurks, eventually someone will step in to capitalize on it… and no creative medium captures the collective imagination more completely than the movies. In that light, I’ve selected some significant cinematic examples of physical love taken to its most horrific extremes. Not all of these scenes come from horror films, but they are all unquestionably the stuff of nightmares… and probably caused many hours of intense therapy among sensitive viewers. Please note that I’m trying to avoid scenes depicting overt rape, as that represents a very different kind of monster (in other words, no Evil Dead tree- porking or rape- revenge scenarios like I Spit on Your Grave). The intercourse in most of these scenes is more or less consensual… or at least within the context of the story.

In horror, it’s sometimes hard to define these things. It probably goes without saying, but I should point out that there’s a few naughty bits on display here, so this post is not entirely work- safe. Looking for Mr. Goodbar: The Last Pickup. This 1. 97. 7 drama, based on a novel (and a true story), is the least horror- themed film on this list, but the final minutes are among the scariest I’ve ever witnessed. Diane Keaton’s deeply troubled schoolteacher tries to chase away her personal demons through drugs and a series of rough one- night stands, but when she picks up a disturbed man (Tom Berenger) on New Year’s Eve, she gets far more than she bargained for. Stephen King listed the film’s last scene in his horror thesis Danse Macabre as one of the scariest ever committed to film, and I can see why. Watch Beyond A Reasonable Doubt HD 1080P there.

It comes out of left field and completely flips the story in the most sudden and nightmarish way possible… and then we fade to black. Blue Velvet: Frank’s Frightening Fetish. If a director could be singled out for dissecting more of his own mental hangups on film than any other artist, David Lynch would get my vote.

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There are probably more interpretations of his surreal images than frames of film that comprise them, but I think I’ve mapped at least one tiny fragment of the man’s worldview: he seems simultaneously terrified and attracted to sex. It’s in nearly all of his art in some form or another, but no more obviously than this scene from his 1. Dennis Hopper as psychopathic Frank Booth indulges a bizarre sexual fetish with the masochistic Dorothy (Isabella Rossellini), which involves huffing nitrous oxide and a kind of “reverse birth” role- play. No matter how creepy that sounds, Hopper’s performance makes it a hundred times more disturbing. Basket Case: Belial’s Betrayal. Frank Henenlotter’s insanely sleazy debut feature boasts dozens of memorably whacked- out moments… but the most horrific of these begins as a surreal dream sequence featuring young Duane Bradley (Kevin Van Hentenryck) running stark naked through the NYC streets to pay a nocturnal visit to his girlfriend Susan (Terri Susan Smith) for a little sleepy- eyed nookie. Watch D-War Online Hitfix here.

What we soon realize – as does Susan, to her absolute horror – is that Duane is not actually present; it’s his lumpish, telepathic former conjoined twin Belial who’s humping the poor girl to death (I mean that literally; we even get to see the sticky aftermath). Only the seedy grindhouse atmosphere and low- rent makeup effects will protect viewers from losing their sanity after what they’ve just witnessed onscreen.

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The Howling: Bill Gets His Furry Freak On. I’ve seen this 1.

But when I first saw it as a young pup, I didn’t pick up on Joe Dante’s biting satire and genre savvy – not because I didn’t get it, but because I was too busy pissing myself in terror. One of the scenes that freaked me out the most was the savage mating of Bill (Christopher Stone) and Marsha (Elisabeth Brooks), which begins as a fireside grope- fest and shifts quickly into a fit of drooling, hair- sprouting and (natch) howling as the pair transform into beasts – literally “bumping uglies.” In my early adolescence, the idea of sex was both fascinating and terrifying enough, not to mention the notion of sprouting hair in unexpected places, and this image made it very tangible. Sure, it looks a bit silly today, but 3. Angel Heart: Steamy, With a Chance of Showers. The dreamy aura of doom that hangs over Alan Parker’s supernatural noir is so tangible you can almost touch it, so you’d think that a sudden burst of unexplained surrealism would not be so shocking. But back in 1. 98.

MPAA censors to handle, and a large portion of it was cut from the theatrical print. The intense and explicit bed- wrestling between Harry Angel (Mickey Rourke) and Epiphany Proudfoot (Lisa Bonet) would have pushed the boundaries enough without the blood- flood, but most viewers today are so jaded they wouldn’t bat an eye. Still, there’s something undeniably hot about this scene… and that may be the most disturbing thing about it.

Rosemary’s Baby: “This is really happening!”Shocking and controversial for 1. Roman Polanski’s classic is pretty PG- 1. The scene finds young Rosemary Woodhouse (Mia Farrow) in an apparently drugged, half- conscious state, during which her douchey, self- absorbed husband Guy (John Cassavetes) seems to be drunkenly forcing himself on her. That brutish act would be upsetting enough, but as it turns out, Guy may not be the real perpetrator. We catch brief, distorted glimpses of a hairy, demonic beast through Rosemary’s point- of- view, as she is seemingly offered to the thing in a shadowy occult ritual. In the scene’s most chilling moment, she experiences a sudden flash of clarity as she realizes that she’s not dreaming. Up to this point, Rosemary has been depicted as a chaste, childlike girl, which makes this supernatural violation far more unsettling.

Shivers: Parasitic Pool Party. Along with David Lynch, I’d also include David Cronenberg as one of very few filmmakers who splatter their fears all over the screen… and the viewer. At the start of his career, Cronenberg tackled the concept of “body horror” – which, of course, includes fear of our reproductive system and all its parts. I could pick half a dozen films that fit the bill, but his first feature Shivers (a. They Came From Within) tackles the subject without a filter, holding back nothing in its depiction of a phallic parasite that turns its hosts into ravenous sexual predators. The Pianist Full Movie.

The film climaxes in the swimming pool of a futuristic apartment complex, in which nearly all the residents – from very young children to the elderly – paw and grope each other in an all- out orgy that’s not the least bit sexy. Teeth: The Jaws of Justice. Ouch. Seriously, guys, don’t be rapin’. If you’ve even considered taking a woman against her will, you should be forced to watch Teeth on an endless loop, with no bathroom breaks.

You’ve probably heard this premise – virginal teenager Dawn (Jess Weixler) discovers she possesses a very literal vagina dentata, which severs the offending member (or digits, in one case) of any man who tries to violate her against her will. Lots of would- be molesters get theirs in hideously graphic ways, but my personal leg- crossing fave would have to be the literal revenge sex of the film’s climax, after which the offending wiener is gobbled by a dog. Again, ouch. Deadgirl: Just Another Hole?

So, is it rape if the victim is dead? How about if she’s undead?